Tell AI to build a ‘Faster Horse’: Why reframing is the last human advantage

The Faster Horse: An Opening Question

The speaker opens by asking the audience when they last said no at work because something was wrong, not difficult. Using the metaphor of asking AI to build a 'faster horse,' they illustrate how AI excels at optimizing existing paradigms but cannot recognize when the entire premise is flawed, setting up the talk's central tension between optimization and questioning.

Inherited Constraints and the AI Coin

The speaker explores how every generation inherits invisible constraints—'horses'—so embedded they become mistaken for reality itself. They introduce the metaphor of AI as a coin with potential on one side and harm on the other, arguing that most people are trained to optimize rather than question, meaning a better answer to the wrong question still leads to the wrong future.

Susan's Story: When Optimization Becomes Invisible Harm

The speaker tells the story of Susan, a cancer patient whose insurance claim was denied in 1.2 seconds by a crude algorithm, one of 300,000 similar denials. They argue that making such systems more accurate with AI doesn't fix the underlying problem—it makes the flawed system invisible and harder to fight, illustrating how brilliant AI applied to the wrong question creates widespread, quiet harm.

Reframing in Practice: The Children's Cancer Platform

The speaker shares a personal story of leading design for a children's cancer platform, where the initial brief was simply to digitize and speed up enrollment. By bringing clinicians and scientists into the room and witnessing their emotional stakes, the team reframed the project from mere digital transformation to genuinely 'getting it right,' demonstrating how reframing begins by refusing to solve a problem only at the level it was handed.

Rebellion as the Root of Reframing

The speaker examines why people rarely challenge flawed systems even when they can see the problems, distinguishing between seeing a problem and having the courage to challenge it. They introduce 'rebellion' not as loud defiance but as quietly refusing a story too small for reality and acting on that refusal, rooted in embodied experience and frustration.

A Childhood Act of Rebellion: The Grade Book

The speaker recounts a personal story from age 14, when they secretly altered grade averages in a class grade book so families could receive needed financial support, revealing this act publicly for the first time. This anecdote illustrates how empathy and frustration with broken measurement systems can drive quiet, personal acts of moral courage.

Why AI Cannot Truly Rebel

The speaker addresses the counterargument that AI can already reframe problems, conceding it can recombine and simulate creativity but arguing it remains one step behind the 'living edge' of human experience. They explain that AI reframes only from past written knowledge and can be prompted to rebel, but true rebellion requires a body, stakes, and history that AI fundamentally lacks—describing a wound is not the same as having one.

Will, Embodiment, and the Cost of Conviction

The speaker introduces 'will' as distinct from motivation—a persistent commitment to a self one refuses to betray despite pressure or cost. They argue humans can hold ideas for decades despite ridicule and failure because they have a body, relationships, and finite mornings, while AI has no stake in its past statements and thus can be corrected but never humbled.

Design as the Arrangement of Power

The speaker reframes design as fundamentally about governance and power, arguing that every system embeds decisions about who gets access, clarity, or bears costs—whether designers are present or not. As AI shifts from tool to autonomous actor pursuing given goals, the speaker warns that flawed assumptions handed to AI mean humans are no longer automating workflows but automating worldviews.

The Rising Value of Beautiful, Rebellious Questions

The speaker argues that in an age of infinite AI-generated answers, the value of asking the right questions is rising even as childhood curiosity is trained out of people by age eleven. They introduce the concept of 'beautiful questions'—those that probe deeper consequences rather than surface optimization, such as questioning what happens to someone who cannot stop engaging with a product.

Killing the Fast Horse: A Practical Reframing Exercise

Using a hypothetical HR brief about predicting employee attrition, the speaker walks through a step-by-step method for uncovering hidden costs and buried assumptions by removing optimization from the table. They demonstrate how asking who becomes 'faster' or 'predictable' and what future is being reinforced can transform a surveillance-like tool into a genuine inquiry into employee wellbeing.

Closing: Protecting the Right Question

The speaker delivers a closing call to action, insisting that the most powerful thing a designer can do is ask 'should this exist at all?' and protect the right question rather than fear AI's growing capabilities. They return to the opening question about courage versus jobs, urging listeners to trust the feeling that something is wrong and act on it, concluding that humans—not AI—are responsible for deciding what future deserves to exist.

Yep. You're you're online. Hello, everyone. I want to start with a question. When was the last time you said no at work? Not because the task was difficult, because it was wrong.

Right now, we have one of the most powerful technologies humanity has ever created, and we are using it to optimize the past. We keep asking AI to build us faster horses. So I asked it too, how do I build a faster horse?

And it delivered, genuinely told me, this is the terrains, this is the genetic optimization you can do, this is the nutrition you can provide to your horse to get faster. And I kind of half expected it to deliver the horse to me.

And, genuinely, it was impressive, all done before my coffee cools down. But it was still trapped inside the horse. It could make the horse faster. It could not tell me the horse is the wrong thing for me to use.

So I'd like you to hold onto one question for me for the next twenty minutes. What if the greatest thing AI takes from us is not our jobs but our courage to question? Because every generation inherits a horse, constrained so deeply embedded into our society, into our daily life, that it stops looking like a constraint, and it starts looking like reality?

I think it goes to sleep. And you don't question the horse. You ask how to make it faster. AI is like a coin.

One side is full of potential, the other side harm. And which side we get, it depends entirely on the hand that it holds it. And the person holding it, whether they will be willing to ask the question, why? Yet, most of us get trained for the wrong side of that coin. We get trained to make the horse comfortable, faster.

And that's the line I want to draw today. AI can optimize anything you give it, even when what you hand it is wrong. It cannot tell you, though, what the wrong thing is, what you shouldn't be doing.

And a better answer to the wrong question is still the wrong future. I want to tell you about Susan. In 2022 in California, Susan walked in for a scan.

They were suspecting ovarian cancer. And some of you here would have taken that walk too. You would have went into rooms where you didn't know what to expect, where you waited for results that could change everything. And you know that feeling when something is holding on to your throat and you cannot breathe out of the tension.

So imagine Susan. She's waited. She's sat with the fear. And then a letter arrives. Your insurance claim has been denied. Not by a doctor, by a system that took one point two seconds to decide Susan's care was not necessary.

One point two seconds. And Susan was one of 300,000 people whose claims were denied. One director signed off 60,000 claims without even opening a single file in a month.

And the system was not even some intelligent AI system, it was a crude, simple algorithm. Now, you're thinking AI is going to fix this. It will read the files, be more careful, and you're right. And that's the trap.

Because a more accurate version of the wrong question is still the wrong question if our goal is to minimize the amount of claims. When the system becomes extremely good, it becomes invisible, and you cannot fight what you cannot see.

The danger isn't evil AI. It's a brilliant one applied to the wrong question. And this is the shape of the future if we are not paying attention, if we are not mindful. Not one cinematic disaster, but millions of small ones, each a confident answer to the wrong question no one had the courage to challenge.

A world so optimized, we forget to think differently. But I stood in a room where it went the other way. I was leading the design of a platform for children with cancer.

And the obvious horse was optimize the process, digitize the process so we can onboard more kids. And that mattered. So I brought everyone into the room, clinicians, curation scientists, everyone who will have to live with the consequences of what we built. And I watched scientists light up when they confirmed a mutation in child samples.

For me, it felt heavy. For them, it meant that child had a chance. Same room, same data, completely different worlds. And the longer we sat together, the more digital transformation started looking way too small. Because this was never about just enrollments and onboarding of all the kids.

It was about getting it right. So we asked a different question, the one the brief never asked. That's where reframing begins.

In the moment, you refuse to solve the problem at the level that it was handed to you. And you don't need life and death on the table to do that. You need one ordinary brief and the nerve to ask, what's this really for?

So why don't we ask more questions like this? Why do we stay silent? Because seeing a problem and challenging it are two completely different things. You be the smartest person in the room.

You can see what's broken and still comply. Most of us have. These questions are born in the spaces between curiosity and refusal. What lets you refuse, though, is the one thing that gets rarer as intelligence becomes cheap.

It's the one thing almost no room supports or encourages. Rebellion. Not the loud kind, not the one where you go and rebel on LinkedIn or socials, not being difficult in a meeting.

The other kind, rebellion as refusing a story that's too small for the reality it's supposed to describe, and holding that refusal long enough to act on it. It comes from embodied experience, from embodied friction, frustration, love, contradiction.

When I was 14, I kept the class grade book, and the grades inside determined whether some kids' families are going to get the needed support they they had. Kids I knew defined by a number that was supposed to describe their smartness, their worth.

So I fixed it. I changed the averages so the families can get the money. And no one knew until now. Because the way we measure success has been broken.

I was driven by frustration, by empathy and the nerve to act. And you felt it too, maybe not a great book, but a moment where everything in you said, this isn't right. Think of what it costs to speak up or what it costs to stay silent.

Now, someone here is already thinking AI reframes. I've seen it. And you are right, it does. AI can do a lot of things, recombine brilliantly, simulate taste, find patterns we've never seen, even potentially find breakthroughs.

But in a way also can reframe when prompted to. I'm not going to tell you AI cannot do something just so it does it three years down the line. So let's assume it's already out reframing everyone here in this room.

Let's assume it's asking the sharpest questions we have ever asked. It's still one step behind the living edge. Here is the thing.

AI reframes from the past, from everything we've already written down. It inherits the assumptions and the frictions we have already named. But the reframe that changes reality was never written down.

It comes from a person, someone who feels something is wrong before anyone can explain why. AI can reframe within the territory it can perceive. Humans can change the territory itself.

You can program AI to rebel on command, but rebellion on command is just another form of obedience. And there is the part it cannot do and cannot cross. It cannot feel the question is wrong and deny doing it.

It cannot refuse to build what you ask it just because it feels it's wrong. Because that takes a body, it takes stake, it takes history. AI has nothing to lose. It can write the words of rebellion and still pay absolutely nothing for any of them.

Describing a wound is not like having one. Rebellion is a thing you do with a life that has ends this end despite the cost. So we are not ahead because we are cleverer.

We kind of lost that definition a long time ago. We are ahead because our reframes are born from wounds the machine doesn't have and are held by a self a machine can never be. The embodiment is the thing that makes it cost.

AI cannot live in the world it helps us build. It doesn't sit with the person who is going to live with the consequences. But we do. Yet, a feeling isn't enough. You can feel it and still do nothing about it.

Refusal needs a ground to stand on, something that doesn't move when the pressure comes, and the pressure always comes. That something is older than AI, older than any framework or methodology we have ever built.

It's will. Will is not motivation. Motivation falls and rises. There's probably enough for it. Will is a commitment to a self you refuse to betray, even under pressure, no matter the cost.

It's what gives you the power to act. It sounds like whatever happens, I will not turn away from what still can be good. A human being can hold an idea for decades despite of it being ridiculed, despite of failure, despite of everyone telling them to stop.

AI can't. It carries no stake in what it said yesterday. Will needs a self that persists, something to betray, something to honor. Will needs a yesterday.

AI can be corrected. It cannot be humbled. But you can. You have a body that ages, relationships that end, finite number of mornings.

Your decisions are mostly irreversible. You have to live inside what you build. AI has no finish line, so it has no reason to run. You do.

This is where design becomes far bigger than what they taught us to think. What if the thing everyone assumes is reality is actually just a very old design decision?

Save the screen. Every system decides who gets access, who gets clarity, who is excluded, who absorbs the cost of someone else's convenience.

Those are design decisions, whether designers are in the room or not. The question is always about governance. Who holds the reins? The true medium of design is the arrangement of power.

Design is the act of asking, what if reality could be organized differently? We were always redesigning reality. We just were inside the staple for so long, we forgot to acknowledge our power. And now, the stakes have changed.

AI has crossed from a tool to an actor, where agents pursue and fulfill goals and assumptions you hand them. Whatever assumptions we hand them, no matter what it is, and if the original assumption is extractive, shallow, or wrong, We are no longer automating a workflow. We are automating a worldview.

In the age of AI, we are the stewards of perspective. Design shapes what power becomes, and AI has given power a completely different engine. The future of design is to stop the wrong thing from being built beautifully.

We are entering an age of infinite answers, but infinite answers are useless if nobody is asking rebellious questions. A four year old asks a question every two minutes. By age 11, most stop. Somewhere between curiosity and competence, questioning gets trained out of us.

As the world becomes more complex, dynamic, and agentic, the value of answers goes down, and the value of questions goes up. The type of questions that ask not how to increase engagement, but what happens to the person who cannot stop engaging. Warren Burger called them beautiful questions.

So how do you catch the wrong question, and how do you dig the beautiful one back up? You kill the fast horse. Let's take a brief. No horses were harmed during the making of this presentation. But the brief is build an AI enabled tool that predicts which employees will leave so HR intervened early.

Now don't ask how to build it better. Ask who is being made faster and what are we treating as inevitable. Optimization always has hidden costs. In this case, the employees ask to become predictable to a system that can know them better than they know themselves, even before they have even made the decision to leave.

Now, take optimization off the table. If you could not make the horse faster, what would you question instead? What are people afraid to say if they know they are being measured? When optimization is forbidden, imagination wakes up.

Then ask, what future does this make easier? If this succeeds perfectly, what staple have we reinforced? A workplace where care starts to look a lot like surveillance? And do you really want to be part of that future and that reality?

And underneath it all, the buried question emerges on its own. What would we change about the workplace if we listen to why people live instead of predicting when they will? Same brief, completely different futures. And there is the one final question, the one that matters most.

Should this exist at all? In an age of infinite answers, the most powerful thing designer can do is protect the right question. I'm not romantic about this. AI will keep getting better, and we should use it. We should use it with courage.

We should use it to make possible what what we thought is absolutely impossible for us. Use it to unlock your potential. The staple is where imagination goes to behave.

The horse didn't die when they invented the car. It became a leisure object, something we use on the weekends for the fun of it. Is that what's going to happen to human ability to question? Something we do on the weekends as well, if AI takes our jobs, we will find a new one.

That is what humans always do. But what future will we live in if we stop asking the questions only we can ask? Remember the question that I asked you to hold on to? What if the worst thing AI takes from us is not our jobs, but our courage to question?

Don't let it. Because intelligence is becoming abundant, wisdom is not. And there will be a moment for every person in this room, a feature that shouldn't exist, a meeting where everyone agrees way too quickly on something, and something in your body will say, this is wrong. That feeling is yours.

It is the reason you're still in this work. Do not waste it. Because one moment of refusal in one ordinary meeting is how futures actually change. Not by AI, by you.

AI will build whatever world we describe to it. Our job is to ask whether that world deserves to exist. Beautiful, rebellious questions are the one currency AI cannot print. Most systems around us were designed by people no smarter than you, which means they can be redesigned by someone like you.

You are not here to make the horse more comfortable. You are here to ask, why are we still talking about horses? Thank you.

When was the last time you said no at work?

When was the last time you said no at work?

When was the last time you said no at work?

When was the last time you said no at work?

PROMPT ... HOW DO I BUILD A FASTER HORSE?

An illustration depicting a woman at a desk with vintage computer equipment, including a CRT monitor and typewriters, looking thoughtfully. The background is red, with faint white outlines of various vehicles like planes, cars, and boats. A large, glowing red wireframe horse is prominently featured in the background, suggesting a digital or conceptual representation. The image has a retro-futuristic aesthetic.
PROMPT ... HOW DO I BUILD A FASTER HORSE?
An illustration featuring a woman in a retro office setting with vintage computer equipment, sitting at a desk and contemplating. Behind her, against a red background, there is a large, glowing red wireframe horse and several smaller red wireframe vehicles, including cars, airplanes, and a submarine.

PROMPT ... HOW DO I BUILD A FASTER HORSE?

An illustration depicting a woman at a desk with vintage computing equipment, contemplating. The red background features translucent red wireframe outlines of various vehicles like planes and cars, and a prominent, glowing red wireframe of a running horse.

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

PROMPT ... HOW DO I BUILD A FASTER HORSE?

An illustration in deep red tones shows a woman with dark hair sitting at a desk, looking thoughtfully to the right. On the desk are retro computer peripherals, including a CRT monitor displaying green text, and early printing or calculating machines with long paper rolls. Behind her, against the red background, a large, glowing, wireframe-like depiction of a horse is prominent. Around the horse, various other wireframe outlines of modern transportation, such as airplanes and cars, are visible, suggesting different approaches to speed and design.

PROMPT ... HOW DO I BUILD A FASTER HORSE?

An illustration depicts a woman sitting at a desk with a vintage computer and other office equipment, looking thoughtfully to the right. Behind her, a large, glowing red wireframe illustration of a horse is visible, along with smaller wireframe drawings of various vehicles like cars and airplanes in the background.

PROMPT ... HOW DO I BUILD A FASTER HORSE?

An illustration shows a woman sitting at a desk with retro computer equipment, looking thoughtfully to the side. Behind her, on a dark red background, are glowing red wireframe outlines of a horse, airplanes, and cars, symbolizing innovation and progress.

PROMPT ... HOW DO I BUILD A FASTER HORSE?

An illustration depicting a woman at a desk with retro computing equipment, looking thoughtfully towards a large, glowing red holographic projection of a horse. In the red background, there are also smaller holographic outlines of cars and airplanes, suggesting evolution from the "faster horse" concept.

PROMPT ... HOW DO I BUILD A FASTER HORSE?

An illustration depicting a woman seated at a desk with vintage computing equipment, contemplating a holographic red horse in motion. In the background, faint blueprints of airplanes and cars are visible on a red wall.

PROMPT ... HOW DO I BUILD A FASTER HORSE?

An illustration shows a woman sitting at a desk with vintage computer equipment, including a CRT monitor and adding machines. The background is red and features faint blueprints of vehicles like planes and cars, along with a large, bright red, glowing wireframe model of a running horse.

PROMPT ... HOW DO I BUILD A FASTER HORSE?

An illustration shows a woman at a desk with vintage office equipment, gazing thoughtfully. Above her, a glowing, wireframe-like image of a horse dominates a red background, accompanied by faint outlines of cars and airplanes.

PROMPT

... HOW DO I BUILD A FASTER HORSE?

An illustration depicts a woman sitting at a desk with retro computing equipment, looking thoughtful. The background is red, featuring faint wireframe outlines of various modern vehicles (like planes and cars), and a large, glowing red wireframe illustration of a horse.

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

What if the greatest thing AI takes from us, is not our jobs
but our courage to question?

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

ONE SIDE

Potential

THE OTHER

Harm

A circular diagram is divided vertically into two halves. The left half, representing 'Potential', contains a stylized lightbulb or sun icon. The right half, representing 'Harm', contains a stylized cracked surface icon.

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

ONE SIDE

Potential

THE OTHER

Harm

A circular diagram split vertically into two halves. The left half, associated with "Potential", shows an icon of a rising sun or light. The right half, associated with "Harm", shows an icon of cracks.

ONE SIDE

Potential

THE OTHER

Harm

A circular diagram is split vertically. The left half features a stylized sun or lightbulb symbol, while the right half displays a stylized broken or cracked symbol. A pink outline partially surrounds the right side of the circle.

ONE SIDE: Potential

THE OTHER: Harm

A central circular icon is vertically split into two halves. The left half, aligned with 'Potential', displays a glowing lightbulb symbol. The right half, aligned with 'Harm', displays a cracked surface. The entire icon is outlined in white on the left and pink on the right, matching the respective text colors.

ONE SIDE

Potential

THE OTHER

Harm

A circular icon is split down the middle. The left half, associated with "Potential", depicts a stylized lightbulb emitting rays. The right half, associated with "Harm", depicts a stylized cracked or broken surface.

ONE SIDE

Potential

THE OTHER

Harm

A circular diagram split vertically into two halves. The left half is light and contains an icon of a shining light, representing 'Potential'. The right half is dark pink and contains an icon of a cracked surface, representing 'Harm'. The entire circle has a pink outline.

ONE SIDE

Potential

THE OTHER

Harm

A circular icon split vertically, representing two opposing concepts. The left half shows a stylized white lightbulb, and the right half shows a pink cracked symbol.

ONE SIDE

Potential

THE OTHER

Harm

A circular diagram divided vertically. The left half, associated with 'Potential', contains an icon resembling a lightbulb turning on. The right half, associated with 'Harm', contains an icon resembling a cracked or broken object.

Better answer to the wrong question is still a wrong future.

Better answer to the wrong question is still a wrong future.

Better answer to the wrong question is still a wrong future.

Better answer to the wrong question is still a wrong future.

Better answer to the wrong question is still a wrong future.

Better answer to the wrong question is still a wrong future.

MOVEMENT I

Suzanne.

MOVEMENT I

Suzanne.

MOVEMENT I

Suzanne.

MOVEMENT I

Suzanne.

Movement I

Suzanne.

MOVEMENT I

Suzanne.

Suzanne.

MOVEMENT · I

MOVEMENT I

Suzanne.

MOVEMENT · I

Suzanne.

MOVEMENT I

Suzanne.

MOVEMENT I

Suzanne.

MOVEMENT • I

Suzanne.

300,000 lives impacted

300,000 lives impacted

300,000 lives impacted

300,000 lives impacted

300,000 lives impacted

300,000
lives impacted

300,000 lives impacted

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version
of the wrong question is
still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

More accurate version of the wrong question is still the wrong question.

MOVEMENT . II

The other room.

MOVEMENT · II

The other room.

MOVEMENT · II

The other room.

MOVEMENT · II

The other room.

MOVEMENT · II

The other room.

MOVEMENT · II

The other room.

MOVEMENT · II

The other room.

Same room. Same data.

Two completely different worlds.

Same room. Same data.

Two completely different worlds.

Same room. Same data.
Two completely different worlds.

Same room. Same data.

Two completely different worlds.

Same room. Same data.

Two completely different worlds.

Same room. Same data.
Two completely different worlds.

Same room. Same data.

Two completely different worlds.

How do we support safer interpretation of complex data, in high-stakes clinical context, when a child's treatment depends on getting it right?
How do we support safer interpretation of complex data, in high-stakes clinical context, when a child's treatment depends on getting it right?
How do we support safer interpretation of complex data, in high-stakes clinical context, when a child's treatment depends on getting it right?
How do we support safer interpretation of complex data, in high-stakes clinical context, when a child's treatment depends on getting it right?

Rebellion begins in the moment you refuse to solve the problem at the level it was handed to you.

Rebellion begins in the moment you refuse to solve the problem at the level it was handed to you.

Why we stay silent?

Why we stay silent?

Why we stay silent?

Why we stay silent?

Why we stay silent?

Why we stay silent?

Why we stay silent?

Why we stay silent?

Why we stay silent?

Why we stay silent?

  • Curiosity
  • Refusal
A Venn diagram shows two overlapping circles. The left circle is labeled "Curiosity" and the right circle is labeled "Refusal".

CURIOSITY

REFUSAL

A Venn diagram showing two overlapping circles. The left circle is labeled "CURIOSITY" and the right circle is labeled "REFUSAL".

CURIOSITY

REFUSAL

A Venn diagram illustrating two overlapping circles.

CURIOSITY

REFUSAL

A Venn diagram illustrating two overlapping circles. One circle is labeled 'CURIOSITY' and the other is labeled 'REFUSAL'.

MOVEMENT . III

Rebellion

MOVEMENT · III

Rebellion

MOVEMENT · III

Rebellion

MOVEMENT III

Rebellion

MOVEMENT · III

Rebellion

MOVEMENT · III

Rebellion

Rebellion

MOVEMENT III

Rebellion

Refusing a story too small for the reality it claims to describe.

Refusing a story too small for the reality it claims to describe.

An abstract illustration featuring a series of thin vertical lines on the left, partially enclosed by a diagonal line that breaks away, suggesting a confined space or concept expanding beyond its limits.

Refusing a story too
small for the reality it
claims to describe.

An abstract graphic on the left with several parallel grey vertical lines, with a diagonal pink line intersecting and extending past the rightmost vertical line.

Refusing a story too small for the reality it claims to describe.

An abstract graphic on the left featuring several parallel vertical grey lines followed by a single diagonal pink line.

Refusing a story too small for the reality it claims to describe.

On the left side of the slide, there are several vertical grey lines. A single red diagonal line cuts through these grey lines and points towards the text.

Refusing a story too small for the reality it claims to describe.

Refusing a story too small for the reality it claims to describe.

Refusing a story too small for the reality it claims to describe.

An abstract graphic depicts several parallel vertical lines on the left, with a single diagonal line extending from them towards the text, perhaps symbolizing breaking a boundary or expanding a perspective.

Refusing a story too small for the reality it claims to describe.

Abstract graphic showing several vertical lines on the left, with a single diagonal line intersecting or diverging from them.

Refusing a story too small for the reality it claims to describe.

An abstract graphic showing six thin, vertical gray lines followed by a single diagonal pink line, illustrating a concept of something being too narrow or small.

AI can do a lot of things.

  • Recombine.
  • Simulate taste.
  • Find patterns.
  • Synthesise.
  • Find break throughs.
  • And more . . .

AI can do a lot of things.

  • Recombine.
  • Simulate taste.
  • Find patterns.
  • Synthesise.
  • Find break throughs.
  • And more . . .

AI can do a lot of things.

  • Recombine.
  • Simulate taste.
  • Find patterns.
  • Synthesise.
  • Find break throughs.
  • And more . . .

AI can do a lot of things.

  • Recombine.
  • Simulate taste.
  • Find patterns.
  • Synthesise.
  • Find break throughs.
  • And more . . .

AI can do a lot of things.

  • Recombine.
  • Simulate taste.
  • Find patterns.
  • Synthesise.
  • Find break throughs.
  • And more . . .

AI can do a lot of things.

  • Recombine.
  • Simulate taste.
  • Find patterns.
  • Synthesise.
  • Find break throughs.
  • And more . . .

AI can do a lot of things.

  • Recombine.
  • Simulate taste.
  • Find patterns.
  • Synthesise.
  • Find break throughs.
  • And more . . .

AI can do a lot of things.

  • Recombine.
  • Simulate taste.
  • Find patterns.
  • Synthesise.
  • Find break throughs.
  • And more . . .

AI reframes from the past

AI reframes from the past

AI reframes from the past

AI reframes from the past

HUMANS CAN CHANGE THE TERRITORY ITSELF.

An illustration depicting a team of individuals in a red-themed environment, gathered around a large interactive display. One person is shown peeling back a layer of the display, revealing a futuristic, red-hued landscape with wind turbines and modern infrastructure beneath technical schematics of a horse. On the table in the foreground are several retro-style computer monitors displaying graphs, alongside a modern laptop.

HUMANS CAN CHANGE THE TERRITORY ITSELF.

A group of people, dressed in red, gather around a large, holographic-style red display. The display shows a landscape transforming from technical drawings of horses and schematics on the left to a futuristic city with roads, cars, wind turbines, and flying vehicles on the right. One person points at the display. Several vintage-looking computer consoles are on a desk in the foreground.

HUMANS CAN CHANGE THE TERRITORY ITSELF.

A group of people in a red-lit room look at a large screen. The screen displays technical blueprints of horses and machinery, overlaid with a futuristic landscape featuring roads, wind turbines, and flying vehicles under a bright sky. One person pulls back a layer of the screen, revealing the transformed landscape. Old-fashioned computers are on a table in the foreground.

Rebellion is a thing you do with a life that has end, despite the cost.

Rebellion is a thing you do with a life that has end, despite the cost.

Rebellion is a thing you do with a life that has end, despite the cost.

Rebellion is a thing you do with a
life that has end, despite the cost.

Rebellion is a thing you do with a
life that has end, despite the cost.

Rebellion is a thing you do with a life that has end, despite the cost.

Rebellion is a thing you do with a life that has end, despite the cost.

Rebellion is a thing you do with a life that has end, despite the cost.

Rebellion is a thing you do with a life that has end, despite the cost.
Rebellion is a thing you do with a life that has end, despite the cost.
Rebellion is a thing you do with a life that has end, despite the cost.

Refusal needs something that doesn't move when pressure comes.

Refusal needs something that doesn't move when pressure comes.

Refusal needs something that doesn't move when pressure comes.

Refusal needs something that doesn't move when pressure comes.

Refusal needs something that doesn't move when pressure comes.

Refusal needs something that doesn't move when pressure comes.

Refusal needs something that doesn't move when pressure comes.

MOVEMENT · IV

Will

MOVEMENT IV

Will

MOVEMENT • IV

Will

MOVEMENT . IV

Will

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray
Will is a commitment to a self, you refuse to betray
Will is a commitment to
a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will is a commitment to a self, you refuse to betray

Will needs a yesterday.

AI

No finish line.

No reason to run.

YOU

A finite number of mornings.

You live inside what you build.

AI

No finish line.

No reason to run.

YOU

A finite number of mornings.

You live inside what you build.

AI

No finish line.

No reason to run.

YOU

A finite number of mornings.

You live inside what you build.

AI

No finish line.

No reason to run.

YOU

A finite number of mornings.

You live inside what you build.

AI

No finish line.

No reason to run.

YOU

A finite number of mornings.

You live inside what you build.

MOVEMENT . V

Design is power

MOVEMENT • V

Design is power

What if the thing everyone assumes is reality is actually just a very old design decision?

What if the thing everyone assumes is reality is actually just a very old design decision?

What if the thing everyone assumes is reality is actually just a very old design decision?

What if the thing everyone assumes is reality is actually just a very old design decision?

What if the thing everyone assumes is reality is actually just a very old design decision?

What if the thing everyone assumes is reality is actually just a very old design decision?

What if the thing everyone assumes is reality is actually just a very old design decision?

What if the thing everyone assumes is reality is actually just a very old design decision?

What if the thing everyone assumes is reality is actually just a very old design decision?

What if the thing everyone assumes is reality is actually just a very old design decision?

What if the thing everyone assumes is reality is actually just a very old design decision?

Design is the act of asking: what if reality could be organised differently?

Design is the act of asking: what if reality could be organised differently?

Design is the act of asking: what if reality could be organised differently?

Design is the act of asking: what if reality could be organised differently?

Design is the act of asking:
what if reality could be
organised differently?

Design is the act of asking:
what if reality could be organised differently?

Design is the act of asking: what if reality could be organised differently?

We're automating the worldview.

DESIGNERS, IN THE AGE OF AI

We are the stewards of perspective.

DESIGNERS, IN THE AGE OF AI

We are the stewards
of perspective.

DESIGNERS, IN THE AGE OF AI

We are the stewards of perspective.

DESIGNERS, IN THE AGE OF AI

We are the stewards of perspective.

DESIGNERS, IN THE AGE OF AI

We are the stewards of perspective.

DESIGNERS, IN THE AGE OF AI

We are the stewards of perspective.

DESIGNERS, IN THE AGE OF AI

We are the stewards of perspective.

DESIGNERS, IN THE AGE OF AI

We are the stewards of perspective.

DESIGNERS, IN THE AGE OF AI

We are the stewards of perspective.

DESIGNERS, IN THE AGE OF AI

We are the stewards of perspective.

Infinite answers are useless if nobody is asking rebellious questions. cost.

Infinite answers are useless if nobody is asking rebellious questions. cost.

Infinite answers are useless if nobody is asking rebellious questions.

Infinite answers are useless if nobody is asking rebellious questions. cost.

Infinite answers are useless if nobody is asking rebellious questions.

cost.

WARREN BERGER • A MORE BEAUTIFUL QUESTION

VALUE

Answers. value goes down.

Questions. value goes up.

COMPLEXITY

A line graph titled "A More Beautiful Question" by Warren Berger. The y-axis is labeled "VALUE" and the x-axis is labeled "COMPLEXITY". Two dashed lines are plotted: one white line, labeled "Answers." with an arrow pointing down and text "value goes down.", starts high on the value axis and decreases as complexity increases. The other pink line, labeled "Questions." with an arrow pointing up and text "value goes up.", starts low on the value axis and increases as complexity increases.

WARREN BERGER • A MORE BEAUTIFUL QUESTION

  • Answers: Value goes down.
  • Questions: Value goes up.
A line graph plots "VALUE" on the Y-axis against "COMPLEXITY" on the X-axis. One dashed curve, labeled "Answers.", starts high on the value axis and slopes downwards as complexity increases, with an arrow indicating "value goes down." Another dashed curve, labeled "Questions.", starts low on the value axis and slopes upwards as complexity increases, with an arrow indicating "value goes up." The two curves intersect in the middle of the graph.

WARREN BERGER • A MORE BEAUTIFUL QUESTION

On a graph where the y-axis represents 'Value' and the x-axis represents 'Complexity':

  • A downward sloping curve indicates that for Answers, value goes down as complexity increases.
  • An upward sloping curve indicates that for Questions, value goes up as complexity increases.

A line graph illustrating two trends: the value of answers decreases as complexity increases, while the value of questions increases as complexity increases.

WARREN BERGER • A MORE BEAUTIFUL QUESTION

Answers.

Value goes down.

Questions.

Value goes up.

A graph showing two opposing trends. The x-axis is labeled 'Complexity' and the y-axis is labeled 'Value'. One curve, associated with 'Answers', decreases in value as complexity increases. The other curve, associated with 'Questions', increases in value as complexity increases.

WARREN BERGER • A MORE BEAUTIFUL QUESTION

On a graph with Value on the Y-axis and Complexity on the X-axis:

  • Answers: value goes down.
  • Questions: value goes up.

A two-dimensional graph with 'VALUE' on the vertical axis and 'COMPLEXITY' on the horizontal axis. A dashed white line representing 'Answers' starts high on the value axis and curves downwards, indicating decreasing value with increasing complexity. A dashed pink line representing 'Questions' starts low on the value axis and curves upwards, indicating increasing value with increasing complexity.

WARREN BERGER • A MORE BEAUTIFUL QUESTION

  • Answers. value goes down.
  • Questions. value goes up.

A graph with "VALUE" on the Y-axis and "COMPLEXITY" on the X-axis. Two dashed curves illustrate the relationship between value and complexity for answers and questions. One curve, associated with "Answers," starts high on the value axis and trends downwards as complexity increases. The other curve, associated with "Questions," starts low on the value axis and trends upwards as complexity increases.

MOVEMENT · VI

Kill the fast horse

NO HORSES WERE HARMED DURING THE MAKING OF THIS TALK

Kill the fast horse

MOVEMENT · VI

NO HORSES WERE HARMED DURING THE MAKING OF THIS TALK

S-June-Kill the fast horse - ai x design

An illustration set against a red background features a large black horse with white data network lines and nodes superimposed on its body. Several people dressed in red are actively engaged in data analysis around the horse, using vintage computer equipment such as CRT monitors displaying graphs, typewriters, and other scientific instruments. The red background is subtly patterned with faint technical diagrams and data points.

3-june-Kill the fast horse - ai x design

An illustration on a red background features a large black horse with a network of lines and nodes superimposed on its body, suggesting data or internal workings. Several individuals, dressed in red jumpsuits, are positioned around the horse, interacting with vintage computers displaying graphs, typewriters, and other scientific instruments. The red background is adorned with various schematics, graphs, and data visualizations.

3-june-Kill the fast horse - ai x design

An illustration of several people in a red room, dressed in maroon, studying a black horse that has glowing technological circuitry drawn on its body. They are using vintage computers with green line graphs on monitors, tablets, and scientific equipment to analyze the horse. Diagrams are visible on the red walls, and stacks of paper are on the floor.

3-june - Kill the fast horse - ai x design

An illustration depicting several individuals in red clothing working in a red room. A large black horse, overlaid with glowing lines and points resembling a data network or circuit diagram, stands centrally. People are shown interacting with the horse and old-fashioned computers, while scientific diagrams and charts are visible on the red walls.

3-june-Kill the fast horse - ai x design

An illustration of several people in a red room, wearing red clothes, working with vintage computers and equipment. They are studying a black horse which has glowing lines and nodes drawn on its body, resembling a data network or wiring diagram. The background also features faint technical diagrams.

3-june-Kill the fast horse - ai x design

An illustration depicting several people in red attire working with vintage computers and scientific equipment in a red room, analyzing a large black horse that has data points and lines overlaid on its body.

Kill the fast horse - ai x design

An illustration depicts several people in red attire working with vintage computing equipment, observing and analyzing a large dark horse that has a scientific diagram overlaid on its body, against a red background filled with technical drawings. People are taking notes, examining the horse, and operating old computers with green waveform graphs on their screens.

Kill the fast horse - ai x design

An illustration of people in a red room, wearing red, working with vintage computers and scientific equipment, analyzing a black horse with data points and glowing lines projected onto its body. The walls are covered with charts and data, suggesting an in-depth study or optimization process.
An illustration depicts a group of people, dressed in red, meticulously analyzing a large black horse against a red background filled with faint diagrams. The horse's body is overlaid with white lines and nodes, suggesting a network or data points. Several individuals interact with the horse and various pieces of retro computing equipment, including CRT monitors displaying line graphs, a tablet, and a device with paper tape. One person writes on a clipboard, another touches the horse, and others operate computers. Stacks of paper are scattered on the floor. In the bottom right of the image, the numbers "06...54" are faintly visible.
An illustration shows several people in red clothing, using vintage computers and equipment, examining a large black horse. The horse's body is overlaid with a glowing, intricate network of lines and nodes, resembling an internal diagram or circuit board, set against a red background.

Kill the fast horse - ai x design

An illustration set in a vibrant red room depicts several people interacting with a large, dark horse. The horse's body is overlaid with technical diagrams, points, and connecting lines, suggesting it is being analyzed or engineered. The people, dressed in red, are engaged in various tasks using vintage computing equipment, including monitors displaying graphs, typewriters, and clipboards. Some are taking notes, while others operate machines or physically examine the horse. The red background also features faint technical drawings and abstract data patterns.

Kill the fast horse - AI x Design

An illustration depicts a team of people in a red-themed room, meticulously analyzing a large black horse. The horse has schematic lines and data points drawn on its body. Team members, dressed in red, use vintage computers displaying graphs, take notes, and directly examine the horse. The background walls also show faint diagrams.

Kill the fast horse - AI x Design

An illustration of several people in a red room, dressed in red attire, intensely engaged with vintage computing equipment like old CRT monitors displaying green line graphs, punch tape machines, and clipboards. A large, dark horse figure stands prominently in the center, its body overlaid with a network of glowing nodes and lines, resembling a data or neural network. The red walls are covered with various technical diagrams, charts, and what appears to be an anatomical drawing of a horse.

3-june-Kill the fast horse - ai x design

An illustration depicting several individuals, dressed in red, working with vintage computing equipment around a black horse. The horse's body is overlaid with glowing circuits and data points, suggesting a blend of artificial intelligence or technology with biology. The background is a vibrant red, filled with technical diagrams, graphs, and schematics, evoking themes of data analysis, engineering, and the intersection of nature and technology.

Kill the fast horse - ai x design

An illustration depicting several people in a red room, interacting with a bionic black horse that has visible internal circuitry. The people are dressed in red and are using retro-futuristic computing equipment, including old computers with green screens, typewriters, and measurement devices. They appear to be analyzing or working on the horse. The red background has faint technical drawings.

THE BURIED QUESTION EMERGES

What would we change if we listened to why people leave ... instead of predicting when they will?

THE BURIED QUESTION EMERGES

What would we change if we listened to why people leave ... instead of predicting when they will?

  • 01 Who is being made faster?
  • 02 What if optimisation was forbidden?
  • 03 What future does this make easier?
  • 04 Should this exist at all?
  1. Who is being made faster?
  2. What if optimisation was forbidden?
  3. What future does this make easier?
  4. Should this exist at all?
  1. 01 Who is being made faster?
  2. 02 What if optimisation was forbidden?
  3. 03 What future does this make easier?
  4. 04 Should this exist at all?
  1. Who is being made faster?
  2. What if optimisation was forbidden?
  3. What future does this make easier?
  4. Should this exist at all?
  • 01 Who is being made faster?
  • 02 What if optimisation was forbidden?
  • 03 What future does this make easier?
  • 04 Should this exist at all?
  1. Who is being made faster?
  2. What if optimisation was forbidden?
  3. What future does this make easier?
  4. Should this exist at all?
  • 01 Who is being made faster?
  • 02 What if optimisation was forbidden?
  • 03 What future does this make easier?
  • 04 Should this exist at all?
  1. Who is being made faster?
  2. What if optimisation was forbidden?
  3. What future does this make easier?
  4. Should this exist at all?
  1. Who is being made faster?
  2. What if optimisation was forbidden?
  3. What future does this make easier?
  4. Should this exist at all?
  1. Who is being made faster?
  2. What if optimisation was forbidden?
  3. What future does this make easier?
  4. Should this exist at all?
  1. Who is being made faster?
  2. What if optimisation was forbidden?
  3. What future does this make easier?
  4. Should this exist at all?

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

What if the greatest thing AI
takes from us, is not our jobs
but our courage to question?

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

What if the greatest thing AI takes from us, is not our jobs but our courage to question?

MOVEMENT · VII

Intelligence < Wisdom

MOVEMENT · VII

Intelligence < Wisdom

MOVEMENT VII

Intelligence < Wisdom

MOVEMENT VII

Intelligence < Wisdom

MOVEMENT VII

Intelligence < Wisdom

MOVEMENT · VII

Intelligence < Wisdom

MOVEMENT VII

Intelligence < Wisdom

MOVEMENT · VII

Intelligence < Wisdom

An illustration depicting several women in an old-fashioned office with vintage computers and typewriters. They are pulling back a red curtain that has a wireframe blueprint of a horse on it, revealing a bright, futuristic city with tall skyscrapers and illuminated highways under an orange sky.
An illustration depicting several women in a vintage computer room pulling back a red curtain to reveal a futuristic city skyline and intricate highway system bathed in a sunset glow. A blueprint drawing of a horse is visible on the curtain. Vintage computer equipment and typewriters are in the foreground.

Beautiful, rebellious questions are the one currency AI cannot print.

Beautiful, rebellious questions are the one currency AI cannot print.

YOUR MOVE

You can redesign it.

People

  • Warren Burger

Technologies & Tools

  • Artificial Intelligence

Concepts & Methods

  • Agentic AI
  • Algorithmic Claim Denial
  • Beautiful Questions
  • Design as Governance
  • Digital Transformation
  • Embodiment
  • Faster Horse
  • Predictive Analytics
  • Rebellion
  • Reframing
  • Will

Organisations & Products

  • LinkedIn